BeoMaster 1200
Tuner / Forstærker  Click on thumbnails to view
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Manfactured: 1969 - 19
Designer: Jacob Jensen Designer: Jacob Jensen
Colours: Rosewood, Teak, White
The Tombstone: The simple,
modernist graphic is the essential element in Jacob Jensen mechanical designs for Bang &
Olufsen. Det enkle, modernistiske grafisk er det væsentlige element i The type-face used on the surface is
Helvetica, popular in the post-War era and used by many publications today.The Beomaster was only a plate with an inscription and so it was
given the sobriquet of 'The Tombstone'.Jacob
Jensen mekaniske design for Bang & Olufsen. Den type-face
anvendes på overfladen er Helvetica, populær i efterkrigstiden, og som anvendes
af mange publikationer i dag.
"Den danske presse i 1967
henvist til Beolab og Beomaster
5000 som en" Cinema system i to cigar boxes ". Med
Beomaster 1200, som var rettet mod en bredere sektor, B & O var klar til at
gå hele vejen og opgive alle kendte begreber til, hvordan en radio-modtageren
skal se ud. Reduktionen var absolut: at en træramme omkring en opererer
overflade. Organet af apparatet forsvundet, og kun en lille køler grill øverst
tjener som en påmindelse om indholdet. fuldstændig toppen drevne udstyr kan
hænge lodret på væggen som dekoration sammen med blot indrammet kunst produkter
af tiden.
Dette er et dias
regel gået gal. Den Knobs er blevet en del af den polerede
aluminum overflade - flush "! Men ikke kun har Knobs gjort flugter med
overfladen, men overflødige funktioner er også blevet fjernet. For Jensen
design er et spørgsmål om at overveje forbrugerens funktionelle behov. Fem
permanent indstillet stationer er valgt nedenfor aluminiumsindustrien ark i
højre hjørne; brugervenlighed i hverdagen er i centrum. Den kompakte teknologi
har vist designeren i en fashioner drift af aggregater. " - Taget fra 'Jacob
Jensen' af Christain Holmsted Olesen.
Beomaster 1200 - type numre 2501, 2503 -
var på tidspunktet for dens indførelse i 1969, en af verdens mest moderne
udseende og avancerede modtagere. Det er indarbejdet
en forstærker omkring en FM / AM tuner. Radio-stationer
kunne indstilles ved hjælp af en glidende skala. Formatet for Beomaster 1200 var at sætte
udviklingen i Bang & Olufsen design i mange år fremover.
Beosystem 1200 - bestående af Beomaster
1200, Beocord
1200 og Beogram
1200 var det andet af Bang & Olufsen's første
"designet" system. Den allerførste var Beosystem 1000 i 1965. Design »slægtskab«, der understregede den indbyrdes afhængighed
mellem B & O's forskellige produkter, blev karakteristisk for B & O i
mange år. Beosystem 1200 var en af de første
produkter udvalgt af Museum of Modern Art for museets permanente samling (ikke
udstilling) i 1972.
I 1969 Dansk Selskab for Industriel
Design tildelt Bang & Olufsen og Jacob
Jensen ID-prisen for Beomaster 1200 radio / forstærker, Beogram 1200
pladespiller og Beocord 1200 kassettebåndoptager for usædvanligt smukt og
brugervenligt design. Juryen fremhævede især Beomaster 1200
receiver, som pegede i en ny retning for design af radioer.
Og året efter, tre
Bang & Olufsen produkter designet af Jacob
Jensen modtog IF-tildeling. De vindende produkter var: Beomaster
1200 tuner / forstærker, Beomic 2000 mikrofon og Beolit 600 transistor radio.
"Tillykke!
Nuvel, vi har gjort det før", sagde Prins Henrik - Dronningen af Danmark's
mand - da han præsenterede den danske ID tildeling af Society of Industrial
Design at Bang & Olufsen, repræsenteret ved Jacob
Jensen, designeren.
Den bemærkning henviste til det faktum, at B & O havde også modtog prisen
året før.
I Jacob
Jensen Museum of Modern Art i New York (MoMA) valgte syv Bang &
Olufsen produkter designet af Jacob
Jensen, der skal indgå i deres Design Collection som repræsenterer
fremragende eksempler på Museum's kriterier for kvalitet og historisk
betydning; design, i virkeligheden, som havde indflydelse på det tyvende
århundrede. Beomaster 1200 var en af de syv produkter.
Den 1200-serien
repræsenterede en logisk fortsættelse af den linje i udvikling og design, som
placerer B & O i spidsen for producenter af underholdnings-elektronik. Receiveren blev erstattet med Beomaster 1001 i
1973.
"The Danish Press in 1967
referred to the Beolab and Beomaster 5000 as a "cinema system in two cigar
boxes". With the Beomaster 1200, which was aimed at a broader sector,
B&O were ready to go the whole hog and abandon all known notions as to how
a radio receiver should look. The reduction was absolute: to a wooden frame
around an operating surface. The body of the apparatus disappeared, and only a
small cooler grill at the top serves as a reminder of the contents. The totally
top-operated equipment can be hung vertically on the wall as a decoration along
with the simply framed art products of the time.This is a slide rule gone mad.The knobs have
become part of the polished aluminium surface - flush"! However, not only
have the knobs been made flush with the surface, but superfluous functions have
also been removed. For Jensen design is a question of considering the
consumer's functional needs. Five permanently set stations are selected below
the aluminium sheet in the right-hand corner; user friendliness in everyday
life is at the heart. The compact technology has turned the designer into a
fashioner of operating aggregates."— taken from ' Jacob Jensen ' by Christain Holmsted Olesen.Beomaster 1200 - type numbers 2501,
2503 - was, at the time of its introduction in 1969, one of the world's most
modern-looking and sophisticated receivers.It incorporated an amplifier around an FM/AM tuner.Radio stations could be tuned in by means of a sliding scale.The format of Beomaster 1200 was to set the trend in Bang &
Olufsen design for many years to come.Beosystem 1200 - made up of Beomaster
1200, Beocord 1200 and Beogram 1200 was the second of Bang &
Olufsen's first 'designed' system.The very
first was Beosystem 1000 in 1965.The design 'kinship', which emphasised
the interdependence between B&O’s various products, became a characteristic
of B&O for many years.Beosystem 1200 was
one of the first products selected by the Museum of Modern Art for the museum’s
permanent collection (not exhibition) in 1972.In 1969 the Danish Society of
Industrial Design awarded Bang & Olufsen and Jacob Jensen the ID prize for the Beomaster 1200
radio/amplifier, Beogram 1200 turntable and Beocord 1200 cassette recorder for
unusually beautiful and user friendly design.The jury
emphasised in particular the Beomaster 1200 receiver which pointed in a new
direction for the design of radios.And the year after, three Bang &
Olufsen products designed by Jacob Jensen received the IF award.The winning products were: Beomaster 1200 tuner/amplifier, Beomic
2000 microphone and Beolit 600 transistor radio."Congratulations! Well, we have
done this before", said Prince Henrik - The Queen of Denmark's husband -
when he presented the Danish ID award of the Society of Industrial Design to
Bang & Olufsen, represented by Jacob Jensen , the designer.The remark
made reference to the fact that B&O had also received the award the year
before.In Jacob Jensen the Museum of Modern Art in New York
(MoMA) chose seven Bang & Olufsen products designed by Jacob Jensen to be included in their Design
Collection as representing excellent examples of the Museum's criteria for
quality and historical importance; design, in fact, which had influenced the
twentieth century.Beomaster 1200 was
one of those seven products.The 1200 series represented the
logical continuation of the line of development and design which put B&O at
the forefront of manufacturers of entertainment electronics.The receiver was superceded by Beomaster 1001 in 1973.
BeoMaster 1200 Tuner/Amplifier
Product Specifications BeoMaster 1200 tuner / forstærker
produktspecifikationer
Types: Typer:
2501 (1969 - Dec 1972) 2501 (1969 - december 1972)
LO 2503 (1969 - Dec 1973) LO 2503 (1969 - december
1973)
Wave bands: Wave bands:
FM 87.5 - 104 MHz plus 3 fixed-tuned stations FM 87,5 - 104 MHz plus 3
faste-tunede stationer
LW 147 - 350 kHz, 2040 - 857 m LW 147 til 350 kHz, 2040 -
857 m
MW 520 - 1600 kHz, 578 - 188 m MW 520 - 1600 kHz, 578 - 188
m
Power output: 2 x 15 W sinus; 2 x 20 W music Effekt: 2 x 15 W sinus, 2 x
20 W musik
Frequency Response: 20 - 40,000 Hz +/- 1.5 dB Frekvensområde: 20 - 40.000
Hz + / - 1.5 dB
Distortion: less than 1 % between 40 and 12,500 Hz Forvrængning: Mindre end 1%
mellem 40 og 12.500 Hz
Signal-to-noise ratio: 50 dB at 50 mV output Signal / støjforhold: 50 dB
ved 50 mV output
Tone controls: Bass control range: +16 dB -18 dB at
40 Hz Tone
kontrol: Bass Arbejdsområde: 16 dB -18 dB ved 40 Hz
Treble control: range: +14 dB -13 dB at 12,5 kHz Diskant kontrol: interval: 14
dB -13 dB ved 12,5 kHz
RIAA amplifier: built-in RIAA forstærker: built-in
Voltage: 110 - 130 - 220 - 240 V Spænding: 110 - 130 - 220 -
240 V
Power consumption: 15 - 120 W Strømforbrug: 15 - 120 W
Dimensions H x W x D: 78 x 54.5 x 20.5cm Dimensioner HxBxD: 78 x 54,5
x 20.5cm
Weight: 6 kg Vægt: 6 kg
Connections: Tape DIN Connections: Tape DIN
Headphone: > 100 ohms Hovedtelefon:> 100 ohm
Gramophone: DIN Grammofon: DIN |
